Service 03 — 05
Motion
Titles, product film, interface motion. Anyone can show a thing; we make people feel it. Timing first, decoration never — every frame earns its place against the sound.
What a motion project entails
It starts with the sound off and the sound on. We cut storyboards against the real score or the real room tone — never library music standing in for intent — because timing decided late is timing faked.
Title sequences run four to eight weeks including sound sync; product films run with the campaign shoot so stills, motion and the site stay in one hand. Interface motion ships as part of every web build, specified frame by frame, never as an afterthought preset.
Motion in the wild
Fair questions
Do you handle sound?
We time to your composer’s stems and direct the sync; the final mix stays with your sound studio. If you don’t have one, we introduce you to two we trust.
What do we get at the end?
Masters plus every working aspect ratio, broadcast and social codecs, and timing variants — so episode six matches episode one.
Can motion be added to our existing site?
Often, yes. We audit what you have, specify a motion layer frame by frame, and either implement it or hand your team the spec.